Dr. Izmer Bin Ahmad, Art Professor

Izmer Bin Ahmad (Malaysia), teaches studio art at the College of Fine Arts & Design, University of Sharjah in the United Arab Emirates. Trained as a practicing artist as well as an academic researcher his professional activities encompass both studio practice and academic writing.  As an artist, Ahmad’s work focuses on drawing and painting, which has been featured in various international exhibitions, particularly in Malaysia and Canada where he previously lived and taught.  His academic research and publication have been primarily on the subjects of the body and modern Malaysian art, especially in examining the manifestation of somatic nationalism in Malaysian artistic and cultural production. His recent project analysed  the body politics that underscore the painterly gestures of Malaysian abstract expressionism. Ahmad’s current research endeavors continue to elaborate on abstract expressionism’s discourse on mark-making albeit  focusing on the processes and materiality of painterly practice and images.

Dr. Johan Othman, Art Professor

Johan Othman (Malaysia), pursued his undergraduate education at Oberlin Conservatory of Music graduating in 1997 with a major in music composition and in 1999 he graduated from Yale University with a Masters of Music in composition. In 2015 he obtained his PhD in Art History and Theory from Universiti Sains Malaysia. His past scholarly research and papers which range from music and cultural studies, sound/image constitution in film, and gender/image signification, includes: “Inscribing the Rohingya By Way Of Writing And Reading Its Particular/Universal Movement” (2018), “Images and Historiography As Paradox of Marking and Sustaining the Voice of the Subaltern: The Rani of Sirmur, the Suicide and the Mutant” (2017), “Can Medea Speak? Tracing Euripides' Medea's Complex Performative Gendering in Her Speech from the Outside in the Outside” (2016), “Constituting Gender, Locating the Body” (2015) “The Body as Agency of Imaginary Gendering: Re-imagining Medea’s Gender Formation and Positioning” (ICHSC 2011), “Privileging the Absence in Claire Denis’s ‘Vers Nancy’” (2nd PACIA 2011), and “Cultural Decentralization Within A Post-Colonial Territory: Movements in Malaysia’s Musical Culture”(Wacana Seni 2002). He currently teaches music and art theory in the School of the Arts, Universiti Sains Malaysia since 1999.

Dr. Max Ryynänen, Philosopher

Max Ryynänen (Finland), is a Helsinki-based philosopher of visual culture and the arts, with an additional history in performance art, gallery management (ROR Gallery, Kallio Kunsthalle, KLEIN), critique and art writing (Kunstkritikk, Flash Art, Art Pulse) and a variety of modes and forms of writing (essays, performative, fiction). He is senior lecturer of theory of visual culture at Aalto University and the head of the MA program Visual Culture, Curating, and Contemporary Art in the same university.

Anna Seaman, Art Writer

Anna Seaman (UK), is an arts writer and editor based in Dubai. She is a former journalist, having worked in newspapers in London and Abu Dhabi, but specialized in contemporary art and Middle Eastern urban culture in 2011, when she became the editor of Brownbook Magazine. In 2013, she took the post of visual art writer and critic at The National newspaper (UAE) and has been a freelance writer, editor and consultant in the field of visual arts and culture since 2017.

Dr. Zoltán Somhegyi, Art Historian

Zoltán Somhegyi (Huangary), is a Hungarian art historian, holding a PhD in aesthetics, based in Sharjah, United Arab Emirates and working as an Assistant Professor at the College of Fine Arts and Design of the University of Sharjah. As a researcher of art history and aesthetics, he is specialised in 18th-19th century art and art theory, with additional interest in contemporary fine arts and art criticism. He curated exhibitions in six countries, participated in international art projects and often lectures in academic conferences. He is Secretary General and Website Editor of the International Association for Aesthetics, member of the Executive Committee of The International Council for Philosophy and Human Sciences and Consultant of Art Market Budapest – International Contemporary Art Fair. He is author of books, academic papers, artist catalogs and more than two hundred articles, essays, critiques and art fair reviews.

© Copyright contemporaryidentities